
amtor
- January 24th, 2010
Monday morning and we were up at the crack of dawn, feeling a little shaky but otherwise not bad for the time of day. And besides that, there was nothing that was going to stop us at that point, we were off to the see the Godfather of Indian tourist sites. Yup, it was Taj Mahal time.
I think that, even if you ignore the nature of the place once you are there, based on the level of hype, fame and general appearance within culture we had to go and see it. There was never any question about it. We were also going to see it at the best time of day, sunrise, or at least that's when we were told was best. Well just after sunrise we arrived, which was close enough, and considering the mist and cloud around it really wasn't actually going to make that much difference. The crowds however were minimal, so at least we had that in our favour.
Entering from the main courtyard from the Western gate, passing through the little security check on the way and then turning to enter the main gardens. The great archway, built of red sandstone, was itself inlaid with white marble sanskrit. Each of the sanskrit stripes is said to widen slightly as they approach the top, just so that observers on the ground can view them without noticing any perspective narrowing.
As we passed through the enormous arch into the main gardens it was a straight look down the empty reflecting pools to the Taj itself, looking quite magnificent standing proud in the centre. Wow doesn't really cover it I don't think and, hype or no hype, it's reputation is justified. At a distance you can appreciate the full spectacle of it, the dominance over the landscape and the sheer contrast of the brilliant white marble to anything else you can see. Everything about it, the full magic and elegance, can be summed up in that first walk through the arch into the gardens.
Along the river the mists provided a softly glowing backdrop, almost giving the Taj a slightly ethereal look in the morning light.
Wandering through the gardens our guide (who overall seemed just a little more keen on getting us the Marble factory than anything else) explained a few interesting facts. One tale of the construction details how Shah Jahan originally wanted the Taj Mahal to be clad in Gold but was refused by the architect, suggesting white Marble instead. Shah Jahan liked the idea and so messengers were sent out all over the world to bring back samples of white marble to determine the best stone available.
Sitting part way down the gardens, maybe about half way from the entrance in, is a raised marble platform surrounding a collecting pool. On top of this and on each side of the pool are stone benches, including the semi-famous Diana Bench. Resisting the urge to wretch at the naming of the bench after such an inconsequential happening (OMG! a bench she really sat on...Bleeeeeaaaarghhhhh!!!!!), we took our turns to sit there and get our tourist shot sat in front of the Taj.
Like other Mughal tombs the Taj also has a large raised area around it. Unlike others though where you need to remove your footwear before climbing onto the structure, thin paper overshoes are provided to prevent damage to the stone. I suspect part of this is an effort to keep the tourists happy and to justify the 750Rs entrance fee, although elsewhere I always thought that there was an element of respect in the removal of shoes. A removed shoe leaves the outside world outside, where as the covered shoe brings the outside dirt in in a little paper bag.
Although the full grandeur of the Taj may only be appreciable from a distance, but up close the scale of the project becomes something else and the sheer detail and quality of the inlay is fully apparent. Flowers, Sanskrit test and geometric patterns are all inlaid in different fashions and in different stones.
At the back of the Taj Mahal there are superb views out over the river valley, the mist and the morning light making it a mystical landscape that could be lifted from almost any era in history. Directly across from us, mirroring the gardens of the taj, lies the foundations of Shah Jahan's great unfinished work rumoured to have originally been going to be his own tomb. There is commonly held belief that he intended for the opposite building to be done in black, to contrast with the Taj. I'm not sure whether or not I believe that although I do agree with Monty Don's views here. He goes with the theory that the opposite bank was intended to mirror everything on Taj Mahal's side, continuing the repeating symmetry so common both here and at other Mughal tombs.
Infact that symetry even shows with the buildings flanking the Taj. To the west is the ever important mosque, built so allow any visitors a location where they can stop to pray at the correct times of day. Opposite, on the eastern side of the Taj lies the guesthouse, an exact mirror replica of the mosque. Can't say I believe many guests actually would have stayed there, it structure not being one that is obviously built for comfort, however it certainly does add to the geometrical niceness.
Inside the Taj itself you come to Mumtaz Mahal's tomb. The lighting here is poor, but even in the dim light filtering in you can still see how intricate the inlay becomes, with tiny flowers like a pattern stolen off a grandparents duvet cover lining all the sides. Little men with really insubstantial battery torches stood around ready to dart in, like the unwanted guides of elsewhere, pleasing the westerners and hoping for money.
As we drove away I impressed. It may be old, it may be hyped to hell, but the Taj is impressive in almost every sense of te word. It's just a shame that by now three of the four of us were suffering with food poisoning or something similar (the famous Delhi Belly).